![]() ![]() Instead of using the cover of night to make her escape, she cowers behind a tree and falls asleep until morning. Victim Jules (Brittany Allen) does little to help her situation. The result is a film that is frustratingly dumb, with both women making unbelievably stupid decisions simply to further the plot. ![]() The other big difference is that, while Revenge acknowledges its preposterousness and goes all out for excess, What Keeps You Alive fails to realise how incredibly implausible it all is, aiming for realism. ![]() One notable difference between the two films is the main characters' sexuality, the couple in What Keeps You Alive being gay women. Guess what happens in What Keeps You Alive. Meanwhile, the lover goes on the hunt for the missing woman, but doesn't account for her lust for life and ability to fight back. She somehow survives this ordeal and crawls to safety, where she patches up her wounds. It's a fast-moving, vicious little thriller with two ferocious LGBTQ+ female leads (something of a rarity), but beyond the novelty of the film's setup, it's also often a technically impressive and viscerally shocking survival thriller that actually has something to say.The night before last, I watched Revenge (2017), in which a young woman is pushed off a cliff by her lover. The film could be sharper and tighter - ten minutes and at least four endings shorter - but the moments of success in What Keeps You Alive out-weight the film's faults. Trust and betrayal are powerful, universal themes and What Keeps You Alive mines them well for intensity. Meanwhile, Allen is like a walking open wound, both physically (she gets put through the ringer) and emotionally, the beat of her broken heart underscoring the action every step of the way. It would perhaps be more interesting if Jackie were allowed more shades of grey than the relentless psychopath and perfect pretender of normalcy, but she makes a compelling villain and Anderson sells her sinister, imposing presence well. What Keeps You Alive hinges on the battle between these two women, and both Allen and Anderson give game performances for what the script demands of them. The score, written by Allen (who also executive produces) fares a lot better. As a one-time Silverchair diehard, I'll admit a thrill to hearing my familiar middle school jam, but even so, I couldn't help but chuckle when 'Anthem's big moment comes. The film's soundtrack does itself little favors, opting for classical music you've heard in film at least a million times before, and in a truly baffling decision, in our year of the lord 2018, Minihan opts to make Silverchair's 'Anthem for the Year 2000' his power song. Another bold moment showcases Jackie's skill and taste for murder in a shocking, artful sequence of bloodshed when two foolish neighbors come calling for dinner. A second-floor fight scene, shown only from the vantage point of a first-floor perspective, is particularly effective, leaving us to watch the ceiling tremble and shake, each thud increasing the anticipation of who walks down the stairs victorious. A particular purple-lit, sonata-scored sequence teeters into indulgent over interesting, but there are more bold strokes that pay off than those that don't. Still, Minihan crafts tension well, and he endows What Keeps You Alive with a welcome boost of artful panache beyond what you expect from the standard low-budget survival thriller.
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